Found the relevant bits and decided to cut out the beats and hide them in the background. Also identified that Flanger and Phaser effects were distorting the original tracks in a fairly peculiar manner. After collating the tracks in a way that may be telling a story, decided it was too mellow - so went for a distortive burst somewhere in the middle section, and right around the end I found a combo of effects which reminded me of mellotrons...

More on this 68th Disquiet Junto project, the intent of which is to draw attention to the benefits of a Creative Commons license allowing for derivative works, at:

disquiet.com/2013/04/18/disquiet0068-deriv/

More details on the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

This track is composed from material extracted from three pre-existing tracks (“The Find Beauty, Even in the Mundane,” “Immaterial Girl,” “Libertarian Entertainment Automaton”) by C. Reider, all of which were released on the album The Conjuncts on the deriv.cc netlabel, and were themselves derived from the following: “Garden City” and “Ventilation” from Tulse Hill by Hannah Marshall; “LichenWall” from Gardening by Steve Moyes; “Eighteen Events” from Not One Nor by Daniel Barbiero; “Awkward Customer” from [m2012/30-09] by Restive; “cues two three” and “cue six” from Cue Sheet by Sighup; “Sending Dreams to She Downstream” from Pocket Suite by He Can Jog; “The Palsgraf Scale” from Weights and Measures by Gurdonark; “Bonus Track” from Pale by Leo Bettinelli and Pol Nieva; “Haunted Grace” from Haunted Grace on SoundCloud by Jess Lemont a.k.a. Be A Waterwolf; “Ochiita” from Gently Annoying by Xesús Valle; and “Once More With Intellect” from [m2012/30-09] by Restive.